(Vote Felton)
The point is, vote for Tom Felton and bring him back up from 3rd. Also, Matt Lewis, James Phelps and Oliver Phelps. I'm also a fan of Cuzzy.
http://tweeterwall.mallplace.com/tw/wor
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{Up the
Music When the Lights Go Out
by The Libertines
album: The Libertines, released
Most fans know at least two things about the Libertines: that former The Clash member Mick Jones produces them and that lead singer Pete Doherty has had “difficulties” with the police, and with drugs, in a very high-profile way.
Rhythm
I’ve heard the rhythm section of The Libertines described as hyperactive, but in this song Gary Powell reigns himself and Doherty in, keeping the song from speeding up with fury, or slowing down in despair. A metaphor that I could apply to Powell’s drumming in Music When the Lights Go Out might reference babysitting, or fenced lanes, or something of that sort. The drums begin when Doherty first says ‘I no longer hear the music’, and continue until after he stops singing. The rhythm stays very much the same throughout the better part of the song.
Melody
‘I believe in melody and hearts and minds.’ Barât, fellow Libertines frontman says indignantly during an argument. Doherty smiles: ‘Good, just testing.’ Barât and Doherty have a quiet, dry, witty, and crude way of speaking, elegant and confusing with archaic slang and obscure references galore. This comes out in their music, making it all the more interesting and contradictory. Music When the Lights Go Out is at once melodious and discordant, saccharine and bitterly heartbreaking. The melody is carried mainly by bare-bones acoustic and the occasional tragically off-hand ‘do-do-do-do-do’ strummed on an electric guitar. Doherty’s evocative vocals are not conventionally melodic, sometimes straying near off-pitch and braying, or knackered and slurred. But they are always far from flat and docile; the small inflections in his voice are what make this song such an absolutely wicked listen.
Expression
I think that the expression in this song is amazing: even after listening to in constantly I still tear up half the time. The first ten or so times I heard this song it made be shiver. Around the time that this song was recorded relations between frontmen Doherty and Barât, as well as between Doherty and his then-girlfriend Kate Moss, were strained. Doherty was missing shows and fighting with band members. He was arrested many times for drug and weapon possession as well as burgling Barât’s flat. Doherty was told several times that he couldn’t play with the band until he cleaned up his act, and Moss threatened more than once to break up with him if he continued to do drugs like cocaine and heroin (which she eventually did). I think that you can hear some of Doherty’s desperation to acquiesce with their pleas, as well as his sadness that his relationships with the people who used to be closest to him have deteriorated so much. The fast section in the middle of the song always makes me think that he’s getting angry, and maybe fighting, but then it slows down just before the end of the song, like maybe he’s giving up again. The song is compelling and voyeuristic,
Harmony
Form
This song could be described as a British garage-rock slow ballad, if you’re being fastidious and long-winded. But still, ‘slow’ and ‘ballad’ are enough to show that this song is different from much of The Libertines music, animalistic wail at the beginning of ‘Up The Bracket’ aside.
Lyrics
Well is it cruel or kind
Not to speak my mind
And to lie to you
Rather than hurt you
Well, I'll confess all of my sins
After several large gins
But still I'll hide from you
And hide what's inside from you
And alarm bells ring
When you say your heart still sings
When you're with me
Oh darling, please forgive me
But I no longer hear the music
Oh no no no no no
And all the memories of the pubs
And the clubs and the drugs and the tubs
We shared together
Will stay with me forever
But all the highs and the lows
And the tos and the fros
They left me dizzy
Oh darling, please forgive me
But I no longer hear the music
Oh no no no no no
Well I no longer hear the music when the lights go out
Love goes cold in the shades of doubt
The strange face in my mind is all too clear
Music when the lights come on
The girl I thought I knew has gone
And with her my heart it disappeared
Well I no longer hear the music
Oh no no no no no
And all the memories of the fights and nights
Under blue lights and all the kites
We flew together
Love thought they'll fly forever
But all the highs and the lows
And the tos and the fros
They left me dizzy
Oh won't you please forgive me
But I no longer hear the music
Oh no no no no no
Music when the lights go out
Love goes cold in the shades of doubt
The strange face in my mind is all too clear
Music when the lights come on
The girl I thought I knew has gone
And with her my heart it disappeared
But I no longer hear the music
Oh no no no no no
And I no longer hear the music
Homework for Arts. Nearly done. I keep crying. The Libertines always make me cry, but I adore them anyways.
Kitchen Sink
.
I lock the door to her dad’s new (though now very well used) studio, and wrap my scarf around my throat once more to keep away the wind. Sally pulls out a half-empty pack of cigarettes. She grabs one, and I think fleetingly that she is going to offer it to me (something she would never do when sober), but she clasps it between her lips. Sally smiles as she nearly sets her hair alight, a crooked, giddy, wicked smile that makes me shiver, and grimace a little.
I have found that ones ‘firsts’ are always interesting, whether they are good or bad: first time on a plane, first tooth, first broken bone. This is my first time taking care of someone drunk off their arse, and that scares me. Wandering
I glance at Sally, who grins, and laughs again, smoke tendrils curling between her teeth, It is oddly reassuring. She clasps my hand.
Susan: temporarily wrecked
“Hey. Hey, Susan, can I borrow your extra pencil. Mine’s missing. I think Terry might have taken it again.” Susan, the delicate, painfully shy daughter of a well-off actor, smiles slightly.
“Sure. I’ve got lots.” I know this already, of course. Sarah sits closer to me (and I’d rather ask her, though I’ll never say it aloud), but Susan always brings extra pencils.
“Thanks.” She smiles again and bobs her head, fake brown curls bouncing.
I go back to my drawing, doing my best to make straight, careful strokes. I want to finish class with no homework.
“Ann! I heard it’s your birthday today.” Terrence Heaney, always slow to hear the current going ons, smirks as he yells across the classroom.
“It is Heaney! Thanks for noticing!” I call back. Susan giggles hesitantly next to me when Terry looks disappointed, as though hoping that I would have taken his late notice as an insult.
He is about to retort, his face scrunched unattractively, when Mr. Johnston opens the door and strides to the front of the class.
“I told you to be silent -”, we quickly sit straight and the only sound is rustling clothes, “-while I was gone. You should have been working on your landscapes. Who was talking?”
Everyone glances around the room, taken aback at his abrupt manner. Nobody answers, of course, except-
Susan, who had been the only person I had seen drawing the entire time, raises her hand. I opened my mouth to protest that she hadn’t been talking, when I remembered she had- four words.
“Miss Clements? You were talking? I heard more voices than that. Anyone else?” He looks angry now, and I find this odd, because usually he’s very even tempered and he’s much better than the other grade five teacher, Mr. Andrews.
My hand twitches against my will, but he doesn’t notice. It’s my fault that Susan will get into trouble, but I don’t say anything.
“No?” Mr. Johnston frowns at us, and nods sharply. “Susan, come to the front of the class.”
Susan trembles slightly. All our heads follow her solemnly as she walks up the aisle between the desks.
“I-” She starts to say, so softly that I’m not sure if I am hearing her already quiet voice or just seeing her lips moving, but stops quickly as Mr. Johnston’s lips twitch downwards.
“You have gotten out of hand.” He tells us gloweringly. He pulls open the desk drawer and pulls out a ruler. I gasp along with the rest of the class, and there is no sigh of relief afterwards to release our breath, as tense as we now are. Susan clamps her lips together, eyes wide and glistening suspiciously, looking at the wall.
“Hold out your hands Miss Clements.” She does so. The whole room winces in suspense.
Whap!
He brings the ruler down on her palms quickly, before I can brace myself. I distractedly notice this is a rather self-absorbed thought, as I’m not the one being punished. Susan squeaks, and twitches.
Whap!
I notice that he is counting each hit, mouthing the words: ‘two’. It makes his decision to do this seem all the more conscious and gruesome. It is so different from a mother spanking her child for a small misdemeanor in private.
Whap!
‘Three.’
Susan looks terrified and slightly mortified as well. Her face is flushed and the area around her lips is white from pressing them together so hard. I look away from her face in case she looks at me, because I wouldn’t know what to do. She seems determined not to look at anyone, so I probably needn’t worry.
Whap!
I wonder what went wrong for Mr. Johnston today, to make him do this. The pain isn’t that terrible, I know from experience, but the fact that it is happening at all is the worse. Susan’s hands are probably smarting badly, and tonight she’ll probably have to put her mother’s moisturizer on, like I did last year.
Whap!
Susan doesn’t move this time, except for the smallest wince of her fingers. Mr. Johnston releases her hands and casually sets down the ruler. Susan slowly retracts her hands, which she closes tightly, wincing again.
“You may return to your desk.”
Everyone averts they’re eyes as she goes to her desk, as though she is somehow temporarily wrecked. I glance at her through my hair. She flexes her hands and I see that her palms are an angry red.
I face the front of the classroom again as Mr. Johnston instructs us to take out our math texts.
--
The next day, officially 10 years old, I hand out invitations to my party, which is set for the coming Saturday. I’ve invited Sarah, Michelle, Barbara, Linda, and Mary. Susan isn’t at school, but I hadn’t planed to invite her anyways. James and Johnny aren’t allowed to come, because my father has a strict no-boys policy, probably begun before I could even remember my birthday parties, when my sisters were younger.
As I’m waiting to be picked up after school, I hear faint yelling. Against my better judgment I’m curious and I follow the sound.
It’s coming from the office building, so I peek in the glass window on the door. Mrs. Clements and Mr. Johnston sit inside. Mr. Johnston is slightly pale, but irritated looking. Mrs. Clements points her manicures finger at him accusingly, powdered cheeks slightly flushed.
She is still yelling at him, but I’m interrupted before I can listen any more.
“Ann! What are you doing? I thought I told you to wait for me in front of the school?” My mother’s hand clutches my shoulder. I turn awkwardly. She sees what I’m looking at and I can see a flash of disapproval on her face before she steers me away.
I know that if I ask any questions about what I saw my party will probably be cancelled, so I stay silent. I also know that my mother is slightly jealous of Mrs. Clements, who’s perfectly curled chestnut brown hair and blue eyes and handsome, relaxed husband are much envied by many of my class’s mothers.
I bite my lip, remembering Mrs. Clements velvet voice: ‘Cheeky! No! It is not your place to punish my daughter as a demonstration of why one should be obedient and nor when you know that others were lying while Susan told the truth! I do not appreciate it when my child comes home crying!’
--
Susan is at school today, perfectly normal. She is quiet and still afraid to use the washrooms in case one of the older girls comes in, as usual. She does her school work and sits with Linda during lunch.
“Are you going to invite Susan?” Linda asks me during math, after making sure Mr. Johnston isn’t in the room.
“Hmm?” I evade, as I’ve been evading Susan all day.
“Will you invite Susan to your birthday? Only, she said you hadn’t when I asked.” Linda, always doing her best to be inclusive, stares at me disapprovingly, lips pursed.
“Well, of course, I just haven’t gotten the chance yet.” I say.
“Ask her now.”
I huff and turn to Susan, “Hey, Susan, I’m having a birthday party on Saturday. Can you come?”
Her eyes brighten and she beams at me. “I would love to. Maybe… I might be allowed. I don’t know. I’ll have to ask my mother. But, thank you.”
I grin back, and Linda smiles, “You’re welcome. I hope you can come.”
--
The night of my party I see Susan, her older brother and her mother through their bay window, in front of the fire, reading a book. They’re laughing at some private joke, and don’t notice us biking by. Her young, smiling father enters holding a mug of coffee.
--
About a week later, Susan brings homemade cupcakes to class, and gives me the one with extra sprinkles.
“I’m sorry I didn’t come to your party, Anne.” She says.
I lick some icing off the side of my mouth: “That’s okay.”
--
The next day, a Sunday, I see a moving van across the street from her house on my way home from Church, and I stop to admire the painting of a family on its side. As I turn to leave, I notice the curtains are closed at Susan’s house.
--
I never saw Susan or her family again.
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